Free search engine submission Addurl.nu The Views Spectrum: September 2012

Monday, September 17, 2012

Film Review: The Magic of Barfi

I am an ardent film lover, a movie buff, whose definition of an ideal weekend is definitely a trip to the multiplex!!!
Source: UTV Motion Pictures

Barifi came as a whiff of fresh air, when I went to watch it this Friday!!!

Set in the 1970’s West Bengal with its beautiful retro looks and pastel shaded surroundings, Barfi’ is the story of a deaf –and-mute person named Murphy who is popular by the name Barfi (Ranbir Kapoor). In spite of his physical challenges, Barfi is brimming with energy, magic and music! The film portrays his relationships with two women (Ileana D’Cruz & Priyanka Chopra) in his life and how it goes through a roller coaster ride of love, friendship, heartbreak , pain and union over a period of six years. Barfi is filmed in Darjeeling where the mist, tea gardens, and the settings of the famous coffee joint, Keventers will bring back memories buried deep within. In the second half you get to see Barfi set in the alleys of North Kolkata, with the Howrah Bridge in the back drop.

The Story is simple and yet refreshingly different, reminding you of classics of Raj Kapoor style and of films like Sadma. Screenplay is awesomely done, and it is particularly commendable the way the writer weaves a tale of love which seems so close to real life. The story is about Barfi’s journey of love with Shruti and Jhilmil . Shruti -- a beautiful girl, soon finds herself falling for Barfi’s magic touch in spite of acknowledging the differences they had socially and she being engaged to Ranjit ( Jishu Sengupta) already. The romance blooms between the two as Barfi charms her with his innocence, his happy ways, his smiles, and his energy. The two share bicycle rides through pine forests, horse-saddles and their very tender midnight kiss for the first time. As the film progresses pathos sets in over concerns involving engagement rings to the kidnapping of an autistic young woman called Jhilmil (which is the central plot.) Things change and gear faster than Barfi would understand.

In the turn of events Barfi falls for Jhilmil later, understands her ways, sets her free, nurtures her like a knight in shining armour and finds a new definition of love with her.

We see the characters of Barfi, Shruti and Jhuilmil meet in the cross roads of life. Shruti breaks free from her love less marriage to come back to Barfi, and Barfi madly chases Jhilmil.

The music is stupendous and Pritam brilliantly make us croon the songs long long even after hearing them. ‘Main Kya Karon’ romantically tells us the magic one feels after falling in love, ‘Ala Barfi is a superb character description of Barfi himself. A beautiful gazal in the second half shares the pain and helplessness of meeting ones lost love suddenly after long!

The cinematography is flawless and Anurag Basu’s direction is powerful too. We see ace Bengali actors like Ashish Vidyarthi, Jishu Sengupta and Rupa Ganguly in Barfi. Use of Chaplinistic comedies and Raj Kapoor styled dressing and romance has ornamented the films with many jewels. This film is a must watch in all respects.

Barfi teaches you that love has its own language, own music, own expressions which alone makes life worth living, you have to be in love and relish the gains, pains and sweet nothings that comes your way….

Please go and watch this beautiful film!

About the Author- 

Srirupa Ganguly lives in Hyderabad and is in perennial love with writing. Having a distinct style of her own and wide experience in writing for quite a period of time, she is known for her insightful view on events.

Special Guest Article: Journalism and Literature


Though journalism is junior to literature in terms of age they move hand in hand. They depend on each other in terms of format as well as a little bit of content. Such dependence can be compared to neighbourhood living when neighbours living together owe a lot to mutual exchange.

Journalism deals mainly with information which is supposed to be factual in nature. The legendary proverb says "facts are sacred, opinion is free". It justifies the importance of information which we expect to get from the practice of journalism. On the contrary, literature goes for elaboration of the human lives entangled with subtle niceties which are deliberately transformed into art form. When journalism paves the foundation of history with factual information, literature delves into the depth of human relationships.

When journalism tries to capture a time or a situation on the basis of factual information, literature goes to explore the factors as well as sensibilities leading to the levels of perceptions and understandings. For understanding Mahatma Gandhi, newspapers can be of immense help so far as information details are concerned. But understanding Gandhi in literary format must have to be different. Literature accommodates imagination while journalism puts no entry to the artifice to it at the expense of factual information. But ironically this contrast has failed to go against the good impact of live-in condition of journalism and literature. Today's print journalism stands greatly on the story telling techniques of literature. Print journalism has been tablodized conveying multi colours. 

About the Author-

Dr. Baidyanath Bhattacharyya is teaching journalism for about three decades. Author of five books in journalism, mass communication and guest editor of a reputed online media journal, Dr. Bhattacharyya is considered one of the experts in journalism education.

Kumartuli: The Puja Flavour & Some Images

Goddess Durga Getting Decked Up With Other Family Members
Lord Ganesha Getting A Dash Of Colour
Biswakarma Idols Being Ferried In A Tempo




Goddess Durga Awaiting The Final Touch
The Beauty Of Lord Ganesha
Kumartuli Artisans At Work

Almighty Goddess Durga
Goddess Durga Fighting It Out With Evil
Durga Coming in Plenty

Sunday, September 16, 2012

Indian Women: Fighting with Physical Abuse

Women were regarded as central part of the society from time immemorial though society continued to be patriarchal. Women were worshipped as goddess; adored as mother, wife and sister. But some incidents of recent times show that they are nothing more than objects of flesh and blood to satiate carnal pleasure through force. Every day when people flip through newspapers in search of good news like development in the country, economic progression etc they are confronted with just the opposite story. Women are been assaulted, molested and tortured both physically and mentally by men who can best be equated with beasts.
 
Leaving aside the Vedic age when women commanded a lot of respect they have always been looked down upon as a commodity which is for pleasure and enjoyment. It is depressing to digest debates across the country which partly blames the tempting dressing of women leading to their rape. But these discussions cannot be accepted when globalisation is in full swing and when the global transfer of culture and ideas has reached a sizable proportion. In western societies women are much liberal in deciding what to wear which may raise eye brows in Indian standards but still the crime rate is lower compared to us. Primitive thinking of parda system is still in the mind of people who think dressing sense of women is all to blame. However, dress hardly matters to the perverts. We read in newspaper or see in television that a girl wearing salwar suit gets raped and furthermore women who are wearing sarees are also not spared. A woman who wears provocative dresses (according to Indian sensibilities) attracts a lot of lustful onlookers. 
 
Now we can come to a conclusion that cultural backwardness of Indian society is the main factor for lack of respect to women. We hear or read that our country has undergone a revolution or it is developing day by day but the actual scenario is bleak. Society is thinking over ways which enable women to get more opportunities so that they can be placed on an equal footing with men through legislations and enactments. Today we find women as ministers, chief minister, prime minster, president, top executives, sports-person etc but the fundamental question regarding respect to women still comes secondary. At present women irrespective of their age are searching for "security”. Now question is- who will ensure their security? 


About the Author

Nilika Banerjee is student of Journalism & Mass Communication at Rani Birla Girl's College, Kolkata, West Bengal, India.

Disclaimer: The opinions expressed in this article are those of the author, and they do not reflect in any way those of the Dispassionate Observer.

 

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